And if you haven’t seen Avatar yet, do go see it. It’s good! A bit sobering, a bit of a downer in some ways, but good. It blatantly ripped off Matrix Revolutions, Return of the Jedi, Dances with Wolves, and Pocahnotas, but there are only so many story plots, right?
The best part: visually, it is gorgeous! Plot-wise, the first half of the movie was a little slow, but I didn’t care because I felt like I was, literally, on another planet, and it was beautiful!
The plot itself is also pretty good, if heavy-handedly didactic, and that’s the downer side of this whole movie. The premise of the movie is that the US military (or perhaps the world military. I don’t think the movie specifices) wants to invade the planet (moon?) Pandora in order to mine a valuable metal called “unobtainium.” There is no explanation as to why this metal is so valuable or what it is used for back on Earth. This is a huge plot hole, because (spoiler alert!) the bad guys are willing to die horribly for this stuff. If they’re willing to risk hundreds of lives for this stuff, I want to know what it does and why it’s so important! But because we don’t know what’s so great about this stuff, the bad guys come off as pure evil and lack much characterization. (One of my writing professors back at school would have torn this aspect of the screenplay to shreds in a workshop. One of the best things I ever learned from her is that, no matter how bad your bad guys are, you’ve got to flesh them out. They have to have clear motives. They have to be relatable and understandable in some respects. You can’t just write them off as pure evil and expect that to satisfy your audience.)
There are many references to Earth that make it sound like Earth has become so polluted and full of greenhouse gases that it is barely habitable. Anyway, the problem with getting the unobtainium is that a settlement of indigenous, cat-like creatures just happen to be inconviently living on Pandora’s largest deposits of the metal. The military wants to just bomb the inhabitants, but a pesky scientist, played by Sigourney Weaver, would rather make friends with them and ask them nicely to relocate. Her plan for befriending them is to put scientists in the bodies of avatars–bodies of the indigineous people that have been grown from a mixture of human and alien DNA and that can be controlled by a human mind. The main character, Jack Sully, inherits the avatar of his dead twin and is sent to take his place on Weaver’s mission. The US military also enlists his help as an insider who can give them information about the weakenesses of the indigenous peoples.
Oh, and by the way, Jack Sully is in a wheelchair. I found this interesting because rarely do we see handicapped heroes in movies. However, as is Lenard J. Davis’s Enforcing Normalcy (the only work of literary theory I have ever read that deals with ableism) would predict, as quickly as possible within the movie, Sully’s handicap is swept away. For the rest of the movie, we see him primarily as his avatar, which has the full use of its legs. Also, as Davis would predict, at the end of the movie (spoiler warning!) Sully is able to move into his avatar body permanently and leave behind his disabled body. While it was kind of a cool move to have a badass handicapped main character, the movie really does little to attempt to get us to see the handicapped in a new, more understanding, and more accepting way. While it breaks ground for the inclusion of handicapped characters in other action movies, in and of itself, it still seems to still present a primarily ableist view.
So, the plot continues. Sully meets the indigenous people and is taken in by them to learn about their culture. At this point, you could substitute Disney’s Pocahontas. I swear I could hear the indigenous people running through the jungle singing, “You need to paint with all the colors of the wiiiiind!” This is also where the didacticism comes in. The rest of the movie could be seen as one long morality telling us to respect the Earth and stop polluting it so damn much. This is a great moral, I must admit, but I came out of the theater wondering, Exactly how am I supposed to put this moral into pratice? Go live in the Amazon with an indigenous tribe? Granted, I would use less of the Earth’s resources that way, but, to be perfectly honest, I’m not willing to do that, and I doubt that the rest of the audience is either. The movie beats its audience over the head with its environmentalist message but it gives its audience no pratical direction in which to put its message into pratice. And this defies one of the major rules of trying to make people do what you want, which is, If you give people a message that is going to instill strong emotions like fear or unhappiness into them, in order for that message to be effective, it must be followed by direct and easily accomplish steps that your audience can take to eliminate these negative feelings. Otherwise, your audience is just going to ignore your message.
It is also at this point where the movie jumps up and down and starts begging, “Do a postcolonial analysis of me, please! Oh please! Pleasepleasepleaseplease!” So, here goes: There are two ways in which the West tends to view “uncivilized” indigenous peoples. The first is the myth of the barbarian, which views the nonWesterners as savage, depraved, immoral, and violent. The second is the myth of the noble savage, which views the nonWesterners as ignorant of important things like science and technology but somehow the more purer for their innocence. From the latter of these myths, you get poems written by the English that compare the colonization of the Americas to the raping of a virgin. You also get things like the Tarzan stories, which present the African apes (stand-ins for black people) as gentle and loving but ultimately not very smart. You also have Tarzan, the white boy, who is able to master the ape’s world and become the greatest ape there is…until he finds out that he’s a white boy and then grows up into the greatest white man there ever is. This splits the world into a dichotomy of Western men=smart, nonWesterners=good but not so smart. This seems to be the myth that Avatar plays into. Instead of being scientific and rational, the indigenous people (henceforth I will be calling them “The People” because that’s what they’re calling in the movie) are spiritual. (Though their diethy seems to be nothing more than a complex network of communication between The People and the other organisims on the planet such as the other animals and plants and therefore inherently biological.) Their deep connection with nature (they cry when trees are chopped down) are seen as making them superior to the Western invaders. Now, there’s nothing wrong with having a deep respect for nature. We need more of that. However, the way in which The People are presented does nothing to break down the Western dichotomy of West=good, nonWest=bad. Instead, it flips the dichotomy upside down.
…Or does it? In playing into the myth of the noble savage, Avatar stereotypes The People. It also elevates them to a status that I’m not sure they deserve. They are cool, I will admit. They are beautifully animated. They are kickass warriors. They are relatively well-fleshed out characters. However, they aren’t perfect. When you flip the West=good, nonWest=good on its head, you still tend to make mistakes. For instance, I recently read a book that extolled the innovations of the ancient Chinese and condemned the technological dependence of the West. Granted, the West is incredibly flawed, but some of the innovations of the ancient Chinese that the book failed to mention included drinking mercury for medicinal purposes. The ancient Chinese were brilliant in many respects. For instance, they invented things like paper and gunpowder long before the West had such things, and their contributions to philosophy are ingenious. However, they weren’t perfect. My point: every civlization has its great achievements. Its strengths. its flaws, and its failings. Idealizing any culture doesn’t do anyone any good in either party. Even positive stereotypes are limiting. And I’m not sure that The People completely deserve this positive stereotype. For instance, in one scene of the movie, Jake is supposed to bond with a flying lizard. The bonding process is described as a very intimate one, in which Jake will experience the lizard’s physical sensations and also be able to communicate with it telepathically. How does Jake form this bond? By wrestling it to the ground and forcing it into submission. In several ways, this scene actually reminded me of a rape, and it seemed to go against The People’s otherwise harmonious relationship with nature.
Flipping dichotomies upside-down doesn’t do any good. But, by placing The People into the myth of the noble savage, the movie actually protrays them through the lense of Western colonialism anyway. And just how does it do that? By giving them a Western white boy that can do whatever they can do, only ten times better! Sure, when Jake first meets the tribe they criticize him for being a child-like moron, but he catches on very quickly. In just three months he is made part of their clan. He bonds with a monsterous flying lizard that The People fear and that no one in generations has been able to tame. By the end of the movie, he is set up to become their leader. In other words, The People might be good at what they do, but, according to Avatar, living the tribal life of a hunting society is easy for a White Earthman. He’s better at what they do than they are!
Yeah right. Please. While the movie certainly does an excellent job of showing how damaging the Othering of people is (the military people refuse to believe that The People are in fact self-aware, intelligent creatures just like humans are) and shows how destructive, unfair, and downright brutal and inhumane colonization and war are, it fails to break out of the usual Western presentations of nonWestern peoples. It does a much better job than a lot of movies. It does portray The People very positively. It humanizes them and makes them relatable. It does a good job of setting up their society, complete with a heirarchy and religious tradition. It makes them the good guys. It sets them up as a model that Western behavior should follow–their environmentalism and their recognition of themselves as part of the universe instead of lords over it–but it doesn’t quite break out of the Western colonial mindset. It gets closer than a lot of movies, but it doesn’t quite go far enough. However, it probably has broken ground that other movies can follow. It shows how far Western culture has come in its attempt to shake off its colonialism ideology, but that ideology still leaves its shadow on the movie.
Where this movie really shines, though, is when feminist criticism is applied to it. For an action movie that would probably be stereotypically called a “guy’s movie” this movie had some wonderfully empowered female characters. Sigourney Weaver, as far as I’m concerned, is the heroine of the movie. Her character is an assertive, confident, and intelligent female scientist. She lets her opinions be heard and she doesn’t let the male leaders tell her to shut up. She also avoids being stuck into the “bitch” stereotype through her love for The People, whom she wants to understand and save from the military. Michelle Rodriguez’s character is also a strong woman who can kick butt and stay true to her values. The princess of The People is probably by favorite, because (spoiler alert!) instead of being saved by the “prince” while she looks on helplessly, it is she who saves Jake’s life at the end of the movie! Yeah, you see a lot of blue breasts on the female People, who are probably mostly meant for the straight male audience members to oggle, but the female characters certainly act like more than eye candy. They take on the male authority figures in the movie. They take an active role in their own destinies. They also control their own sexualities, as seen when (spoiler!) the princess mates for life with Jake, whom she loves, instead of marrying the guy her father has picked out for her. Also, The People worship a female Goddess!
So, as I’m sure you guessed from the previews, the story ends with an epic battle between the military and The People. And the battle is epic! It’s thrilling to watch and the special effects are spectacular. There were also points in it when I even teared up or forgot that I was in a theater. I was drawn in and I really cared about what was going to happen to the characters. And, of course, it all ends happily. Most movies do these days, when you think about it. We seem to have developed an intolerance to happy endings. But, along the way to that happy ending, the movie makes you think. It effectively takes you out of your own world and onto another planet (moon?). While the bad guys could use some more characterization, the good guys characters are well developed, especially those of the female characters. Jake is also a very dynamic character, and though he begins the movie as a bit of a jerk, by the end of it he is truly ennobled. The movie also packs a lot of messages into three hours (which went by very quickly). Environmentalism, colonialism, ableism, science, spirituality (which are not presented as polar opposites in the movie)…there’s a lot going on in this movie, and I would say that it’s worthy of multiple viewings. Sure, it has its weaknesses, but its strengths far outweigh them, and even in its weaknesses, it opens up possibilities for other movies to go farther than it has gone. It is both thought-provoking and entertaining, and there aren’t many movies like that these days.